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Calendar of Events: October 2007

Art Beyond Sight Awareness Month, Worldwide

Information on Art Beyond Sight Awareness Month

“This is a time when museums, schools, libraries and sighted and blind people from around the world come together to jointly address the problem of making pictorial literacy and access to the world of art a reality for all blind people…

Why Awareness Month:

Art Beyond Sight Awareness Month is an outreach effort on all levels, operating simultaneously within and across institutions, within and across communities. It is an opportunity for professionals and institutions to raise public awareness about making art and culture a part of life for adults and children affected by sight loss. During Awareness Month, we can educate parents, teachers, school administrators, recreational counselors, librarians and museums about the benefits of art education and museum visits for children and adults with sight loss; for example, art can be a powerful tool in fostering Braille literacy.

The collaborative seeks to empower community institutions to create long-lasting visual arts programming, by offering proven methodologies, by training staff on accessibility and sensitivity, and by inviting local blind and sighted people to participate in educational and inclusion activities.

Training is a crucial element of Awareness Month. The collaborative will provide an annual full-day crash course on program-planning basics, sensitivity training and other skills. Join us to jump-start your program or brush up your skills. Art Beyond Sight also holds regular telephone conferences and meetings to discuss issues and brainstorm strategies and solutions.

All this must part of a two-pronged approach: institutional development and outreach to individuals. Many blind people do not feel welcome at museums or simply do not view themselves as museum-goers or artists, and do not take advantage of even the most-developed, up-to-date programs. However, once involved in the arts, many people with sight loss find museum-going a rewarding activity that opens up a range of new experiences possible through art. Thus, while assisting educators and museums to develop programs and provide resources, Art Beyond Sight Collaborative and Awareness Month also provides ways to let blind people know about arts programming in a way that encourages their participation.

Goals of the Art Beyond Sight Collaborative:

The collaborative’s primary goal is to make art accessible to people who are blind or visually impaired. To this end, AEB formulates, evaluates, documents, and disseminates research findings, as well as print and multisensory educational programs and materials, relative to rendering art-making, art appreciation, cultural history, and aesthetics accessible to people who are blind or visually impaired.

The Art Beyond Sight Around the World Collaborative recognizes that art education and exposure to the arts are crucial for advancement of many key issues in the education and rehabilitation of people who are blind. ArtWorks is a series of initiatives designed to use art as a tool in overcoming many of the daily living issues faced by people who are blind. Those initiatives include: the community participation through the arts program, art therapy and self-expression through the arts, skills development through the arts, full intellectual access to the world of art, collaborative learning through the arts, employment in the arts and at museums, and art into curriculum.

Art Beyond Sight Collaborative: Mission and History Sheet

In order to make art accessible to people who are visually impaired, it is essential to involve all facets of the community right from the start: museums and arts institutions, educators, and other resource providers, as well as the various communities of blind and visually impaired individuals. If museums develop programs and do not reach out to their community, the programs die out before they can develop an audience. If blind people are educated about what they could experience in museums before programs are available, they become discouraged and lose interest. Outreach and program development must be simultaneous; materials need to be prepared as people are preparing to use them. Only then can true and long-lasting progress be made.

 

That’s where Art Beyond Sight comes into play. We are a collaboration of researchers, blind people, educators, tactile graphics experts, and people from many other related fields. Internationally, the collaborative provides a forum for ongoing interdisciplinary dialogues among researchers and practitioners, who share expertise and materials. On the local level, Art Beyond Sight assists museum professionals and other educators, parents, artists, and art lovers to create vehicles for lasting change in their communities.

In this field, museums, schools (both public schools and residential schools for blind people), advocacy groups of blind people, libraries for blind people, and university research facilities are the main partnering institutions. We will achieve lasting change only through a team effort on the part of people who are blind and visually impaired, museum educators, classroom teachers, and local community agencies that represent blind people and their families.”

Art Beyond Sight

 

Eco Sound Logo

 

To contact us:

 

E-mail:

editor@blindnessandarts.com

 

We are based in:

 

Leicester, UK

Art Beyond sight Crash Course, New york, US & Worldwide

Information on Art Beyond Sight Crash Course

Telephone Conference Crash Course
Organized by Art Education for the Blind

ALL TIMES GIVEN ARE EASTERN DAYLIGHT TIME (EDT)

Call-in Number and Code:
(605) 772-3790, code AEB 2007 (that’s 232-2007)

Monday, October 15, 2007

9 – 10 a.m.
Welcome: Elisabeth Axel, Art Education for the Blind
Overview of the September Conference

10-11 a.m.
Museums and Multi-sensory Learning:
Nina Levent, Art Education for the Blind, with: Jane Samuels, British Museum; Hannah Goodwin, Museum of Fine Arts, Boston; Francesca Rosenberg, Museum of Modern Art, NYC; and Santiago González D’Ambrosio, Reina Sofia

11 a.m.-noon
Universal Design & Multimodal Approaches to Environments
Andrew Anway, Amaze Design; Valerie Fletcher, Adaptive Environments; and Sheryl Burgstahler, University of Washington

Noon – 1 p.m.
Artist Talk. Lisa Yayla, a tactile designer from the Huseby Kompetansesenter, Oslo, Norway, talks with Shari Khayami, BlindArt (UK), and artists Rosalyn Driscoll, Steve Farley, Nick Hornby, and Andrew Senior about the role of touch in art.

1 – 2 p.m.
Artist Talk. Georgina Kleege, an author and creative writing professor talks with Sight of Emotion Director Gina A. Badenoch, sculptor Ann Cunningham, poet Elizabeth Goldring, artist and teacher Nitza Horner, and painter Buzzer Howell about creativity, identity and disability.

2 – 3 p.m.
Sound in Learning Environments
Lou Giansante, Art Education for the Blind, with Sofia Andersen, Antenna Audio, and Danielle Linser, Lower East Side Tenement Museum

3 – 4 p.m.
Psychology for Educators
Simon Hayhoe, BlindnessAndArts.com; John Kennedy, University of Toronto; and Linda Pring, Goldsmiths College, University of London

4 – 5 p.m.
Multimodal Approaches to Classroom Instruction
Nina Levent, Art Education for the Blind, with Brian Muni, TheraPlay; Phyllis Rawson, Educational Vision Services, NYC Department of Education; and Kristie Sprinkle, Texas School for the Blind & Visually Impaired

5 – 6 p.m.
Closing remarks and general discussion: Nina Levent and Joan M. Pursley, Art Education for the Blind”

Art Beyond Sight

 

The Hungry fingers, London & Liverpool & nottingham, UK

Information on The Hungry Fingers

The “Hungry Fingers” way to tactile graphics

Summary: A one-day workshop focusing on developing blind children's understanding of spatial concepts and increasing their confidence with braille and tactile illustrations…

Description

This one-day workshop focuses on developing blind children's understanding of spatial concepts and increasing their confidence with braille and tactile illustrations. On the basis that effective learning involves direct experience, a set of tactile activity kits will be presented. These involve carefully selected educational toys, real objects and models which inspire young blind learners to engage in activities such as counting, sorting, building, transforming, copying, comparing size, shape and location of objects. All activities are linked with appropriate exercises in English braille.

Aims

1. To raise awareness of the difficulties which totally blind learners experience with tactile graphics.

2. To help teachers and parents design educational activities involving Braille and tactile graphics which will be both meaningful and enjoyable for young totally blind learners.

3. To acquaint teachers with simple tools and techniques which promote spatial understanding across the curriculum.

4. To show how “ordinary” toys can be used as effective educational tools.

Course presenter

Professor Boguslaw ‘Bob’ Marek, Ph.D. OBE, John Paul II Catholic University of Lublin, Poland.

Bob is a well-known name on the international circuit and has taught extensively in Europe and the Middle East.

His last series of courses in the UK in 2003 were a great success:
“The best RNIB course I've attended”
“An excellent day and excellent trainer”
“I can't wait to get back to school to try out all these wonderful ideas!”

Who should attend?

Teachers, teachers of VI, teaching assistants, reproduction, transcription and resource staff, support staff, parents and carers.

Cost

£130 professionals

£60 parents/carers

Dates and locations

Monday 8 October 2007 - London
Organising centre: RNIB London and South East
Telephone 0207 391 2245
Fax 0207 391 2195

Email RNIBLondonandSouthEast@rnib.org.uk

Wednesday 10 October 2007 – Nottingham
Organising centre: RNIB East Midlands and East
Telephone 01509 632400
Fax 01509 632401
Email RNIBEastMidlandsandEast@rnib.org.uk

Friday 12 October 2007 – Liverpool
Organising centre: RNIB North West
Telephone 0151 298 3222
Fax 0151 298 3250
Email RNIBNorthWest@rnib.org.uk

Booking details and further information

For further information, please contact the organising centre.

See our course administration and booking details

Download our booking form (MS Word document) or obtain a form directly from the RNIB centre organising the course.”

RNIB

 

 © Simon Hayhoe 2007